"a helluva lot more fun (and miles smarter) than, say, Primus. Highly recommended."

When the drum-n-bass subgenre came on the scene in the 90s, I didn’t pay much attention. It didn’t move me. But clearly some very interesting things can be done with a rhythm section if the players are good enough, and if the inspiration is there. Back in the 90s Ben Folds Five‘s Robert Sledge showed that electric bass could credibly be used as a lead instrument without being overly gimmicky. But Backhouse Lily turns both of those aforementioned concepts on their heads: yes, they’re drum-n-bass, but their approach is a sort of instrumental progressive rock, not miles away from Russian Circles but with a much more commercial flavor. Like the work of no wave auteur Glenn Branca, Backhouse Lily’s music often suggests the presence of instruments that simply aren’t there. What is there is bass-led music that’s a helluva lot more fun (and miles smarter) than, say, Primus. Highly recommended.

 

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